PFO 2020/01
It’s no secret that I like to tweak. In fact, I made a name for myself and built a huge following in my early writing career writing about such minutiae. My third paid audio writing gig (after folding the audio analyst© that I had founded in 1988), saw me at full throttle on that mission in the mid 1990s. In my three years at that online journal, aside from writing twenty-three hardware reviews, ten media reviews (music and film), and three musings on different subjects from the virtues of vinyl to demystifying the underlying technology and resultant sonic characteristics of different loudspeaker cable constructions, I also wrote thirty-five tweaking articles that appeared in a monthly column.







